Budget-wise, 43 per cent of production funds were given to projects led by women (vs. 40 per cent to projects directed by men and 15 per cent to ones overseen by mixed teams). [168] In 2013, Bear 71 received the Webby for best net art. And in NFB annual reports of the time, French films were listed under "foreign languages". [60] The NFB introduced a free iPad application in July 2010,[61] followed by its first app for the Android platform in March 2011. Features designed specifically for teachers. Jeremy Mendes is an interactive artist producing English-language interactive works for the NFB, whose projects include a collaboration with Leanne Allison (Being Caribou, Finding Farley) on the webdoc Bear 71. [59] In January 2010, the NFB added high-definition and 3D films to the over 1400 productions available for viewing online. [13], In 1939 (82 years ago) (1939), the Act led to the establishment of the National Film Commission, which was subsequently renamed the National Film Board (NFB). The subject matter found in his work was also inspired by travel. [58], In October 2009, the NFB launched an iPhone application that was downloaded more than 170,000 times and led to more than 500,000 film views in the first four months. [166] In 2011, Welcome to Pine Point received two Webbys, for Documentary: Individual Episode in the Online Film & Video category and Net art in the Websites category. A decade later, The Valour and the Horror outraged some when it suggested that there was incompetence on the part of Canadian military command, and that Canadian soldiers had committed unprosecuted war crimes against German soldiers. Finance, Operations and Technology: Director General: Luisa Frate, Marketing and Communications: Director General: Jérôme Dufour. [32], As of March 8, 2016, researchers and librarians at the University of Calgary announced an archival project to preserve records of Studio D.[89], On March 8, 2016, NFB head Claude Joli-Coeur announced a new gender-parity initiative, with the NFB committing that half of all its production spending will be earmarked for films directed by women. Imagine your hometown never changed. [17], During the 1940s and early 1950s, the NFB employed 'travelling projectionists' who toured the country, bringing films and public discussions to rural communities. [92][93], While it is claiming success, directing credits and budget shares have barely changed. [18][19], In 1950, a revision of the National Film Act removed any direct government intervention into the operation and administration of the NFB. These films were based on current news and often tackled wartime events as well as contemporary issues in Canadian culture. From the 1970s by Pudlo Pudlat (Kinngait / Cape Dorset). Neighbourhood pillar Grandma Kay tell the local children the tale of how Crow brought fire to people. French Animation and Youth Studio based in Montreal, headed by Executive Producer: Studio Acadie/Acadia Studio based in Moncton, headed by Executive Producer: Jacques Turgeon and Producer: Maryse Chapdelaine, René Chénier, formerly head of French Animation, is Executive Producer of Special Projects. This technique was also used on Caroline Leaf's film The Street. [35], The alternative drama films were The Masculine Mystique (1984), 90 Days (1985), Sitting in Limbo (1986), The Last Straw (1987), Train of Dreams (1987), Welcome to Canada (1989) and The Company of Strangers (1990). [7] In June 2011, the NFB appointed a producer to work with film and digital media makers across Saskatchewan, to be based in Regina.[8]. [162], In June 2011, NFB received the Award of Excellence in Interactive Programming from the Banff World Media Festival. Interactive Studio in Montreal, headed by Executive Producer, Ontario and West Studio based in Toronto, headed by Executive Producer: Jacques Turgeon, Quebec Studio based in Montreal, also headed by Executive Producer: Jacques Turgeon. [97], A collaboration with the Canadian Film Centre on a theatrical documentary development program. [35], When Norman McLaren joined the organization in 1941, the NFB began production of animation. As of April 2014, the NFB has received five Peabody Awards, for the web documentary A Short History of the Highrise,[158] co-produced with The New York Times; the Rezolution Pictures/NFB co-production Reel Injun (2011);[159] Karen Shopsowitz's NFB documentary My Father's Camera (2002),[160] the NFB/Télé-Action co-produced mini-series The Boys of St. Vincent (1995)[161] and the NFB documentary Fat Chance (1994). The vignettes became popular because of their cultural depiction of Canada, and because they represented its changing state, such as the vignette Faces which was made to represent the increasing cultural and ethnic diversity of Canada. [107], The division's work is the subject of a 2013 book by Carleton University art professor Carol Payne entitled The Official Picture: The National Film Board of Canada’s Still Photography Division and the Image of Canada, 1941-1971, published by the McGill-Queen's University Press. NFB-branded series Retrovision appeared on VisionTV, along with the French-language Carnets ONF series on APTN. [47][48], Loc Dao is the executive producer and "creative technologist" responsible for NFB English-language digital content and strategy, based in the Woodward's Building in Vancouver. In filmmaking. [ 86 ] [ 96 ] Cinéaste recherché ( e ) is minority... 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