AudioSparx offers both Exclusive and Non-Exclusive music for your productions. Just think of us as another arrow in your quiver. Let’s say Company B secures a placement (Sunny Skies), however, for some reason the audio recognition software recognizes it as the version administered by Company A (Blue Skies). 7. Share with us in the COMMENTS SECTION BELOW: The Perfect Marriage of Musicianship and Entrepreneurship. You can also sell your music elsewhere non-exclusively. Come On Down! CD Baby offers music licensing services, but on very different (more artist-friendly) terms than what is discussed below. Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed…. Whereas other libraries claim to be royalty free then require you to report usage and pay performance royalties, Epidemic Sound includes everything; packaging all the legal rights you could need into one simple license. Hands-on, personal approach to finding music. Do you have a fear of giving up the rights to your music? Non-exclusives, while perhaps more consistent, might place in much lower-budget and smaller projects. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. Premium Beat, a division of Shutterstock, offers a nicely curated library of music. These non-exclusive music libraries usually re-title the track name, so it is harder to trace how many libraries a single piece of music may be in. How to Submit Music to Music Libraries: A List of Music Submission Pages One of the best revenue streams I've found for music comes from licensing. Good point! When you run a search by using our HyperSearch, Instant Search, or by Mood or Style, once the tracks come up, you can sort by “Exclusive First” to see over 115,000 Exclusive tracks available only on our site. There is some basic understanding of publishing and contracts that's required, but this is, after all, your business and career. What type of music do you do? This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty they should have received, but didn’t. 5. You don’t get fifteen minutes. New comments cannot be posted and votes cannot be cast, More posts from the WeAreTheMusicMakers community, Continue browsing in r/WeAreTheMusicMakers, Press J to jump to the feed. No problem. They’re looking for authentic recordings in All Tempos that might fit well on a playlist with the following references: You may submit tracks that have already been placed elsewhere as examples, but they require exclusivity on all tracks added to their library. (We get paid by our clients to source and license music for them.) On top of this, again generally speaking, If you're concerned that an exclusive library will own the publishing of your music forever, simply. If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. Well, I suppose I wouldn't mind an exclusive library at some point, either. Well, it starts with the quality of the catalog. Non-exclusive libraries are facing rising technical problems caused by the growth of automatic tune-recognition software which scans broadcasts and Internet videos and creates clashes between rival claims over the same music. HOLLYWOOD (US & CANADA HEADQUARTERS) • 6255 W Sunset Blvd Ste 900, Hollywood, CA 90028 • P 323.461.3211 • Fax 323.461.9102 In the rest of this post, I will explain the essentials (exclusive versus non-exclusive deals, synch fees versus performance royalties, the role of music libraries, etc.) — Vintage Country Songs Needed by a Non-Exclusive Music Library. And you certainly don’t get invited for a drink in the pub afterwards if the meeting went well!What you do get to do, is to send an email. Please only submit music tracks that: Have not been placed in any media productions before, AND; Have never been re-titled or placed in a non-exclusive library; If your music fits this description, we are happy to take a … But yeah, it is indeed a good point about the exclusive libraries and their motivation to push your music out there. I would try both. Absolutely. You may find that you don't want to associate your music with the quality of those catalogs. What have your experiences been with exclusive and/or non-exclusive libraries? If my music becomes available through Bedtracks, can I submit music to other music licensing companies? They're non-exclusive and they get a lot of good placements for TV, film, good synch fees and they file for PRO royalties correctly. Get the facts before you decide. We generally don't take a piece of license fees, so 100% come to you. In this video I talk about my thoughts on Non-Exclusivity in music libraries. Our deal is non-exclusive, and we encourage musicians to take advantage of as many chances to pay off that Gretsch you still have 198 payments left on. You will also need a lot of material. This is totally understandable. What's the best music library to get started? They’ll often start working with a second non-exclusive library, who will take the exact same song and re-title it Sunny Skies. This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. Soundware news. June 24, 2012. TRANSFORM from STARVING ARTIST to SUCCESSFUL MUSICIAN! This allows you to retain the full rights to your originally titled song. For many of us, our songs are our babies, and we don't want to just give them away. It's easy to submit on line with them but you do have to wait awhile for accept/reject notice. You don’t get a meeting. should you sign with a non-exclusive retitled library? To be clear, they are administering the EXACT SAME RECORDING, just under a different title. BUT I want to focus my attention on getting you to actually start DOING something! Want Your Songs to be Heard by Millions AND Generate a Consistent Income? Thank you. Confused? Make sure there is a term-limit (3 years is fair), and be clear on the reversion clause. Zdravko Djordjevic. Do you have a fear of giving up the rights to your music? The real truth is that this is a long game business that requires patience and persistence. Exclusive Contracts vs. Non-Exclusive Contracts with Music Libraries Posted by mazz on Wednesday, April 14th 2010 This topic has been coming up a lot lately and also I had the opportunity to hear about this from some of the bigger libraries recently and thought I’d weigh in on it. I'm thinking minimum hassle, no jumping through hoops except for creating quality tracks for it, and not royalty free (definitely want those PRO royalties eventually). If you know any library to stay away, please tell me. If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. Selected music will be available on MediaMusicNow (and any other sites we own and sell licenses from). Composers and songwriters who want to submit music should follow the following guidelines. This allows you to retain 100% of the publishing on Sunny Day. Blimey, what a change!But the fundam… There are many other opportunities in the music licensing world but they … Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed… Guess who will find themselves in the middle of this conundrum? This is definitely a great thing. If you're concerned that an exclusive library will own the publishing of your music forever, simply pay attention to the contract. Non-exclusive production music libraries enable a composer to sign a non-exclusive agreement allowing the artist to license the same piece to other libraries and clients with the same non-exclusive agreement. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. They do not accept any music on a non-exclusive basis. Many non-exclusive companies have websites that allow just about anyone to ‘sign up’ for an account and upload their music for inclusion in the catalog. Some libraries say you can submit music to them non-exclusively. License Lab: Exclusive licensed music, smaller selection of high-quality tunes, not royalty free. We believe in the significant benefits for our clients provided by exclusivity in licensed music. This allows you to retain the full rights to your originally titled song. Remember, same exact recording, just different titles…. Learn about the pros and cons of exclusive and non-exclusive music licensing deals. Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. I'm curious why non-exclusive? You can register with as many non-exclusive entities that you like, you can get 3rd party PR representation, and you can shop your music to agency producers and TV/Film supervisors yourself. It is also important that they do not generate any type of Content ID (fingerprint or trace music). Research Music Libraries. The whole process has reduced to a few words of text, and a bunch of hyperlinks. So I'm thinking I might get something in that stands out, with relative ease. But the main idea with the non-exclusive ones would basically be... well, you go to some of them and listen to some of the tracks and some of them don't sound very good. Royalty Free Music re-imagined, is the Epidemic Sound approach to tackling the complexities of music licensing. Want to Learn How to Successfully License Your Music to TV and FILM? I look for non-exclusive libraries, in which I can remove songs if necessary. What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty, Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? How do you stand out from the crowd? Guess I'll just need to start writing and then think about who I should submit to. Today, as a rule, it’s a very different story. Non-Exclusive: Alright, the big benefit of being non-exclusive is that you can literally get your music out there, to anyone. I have a few trailer placements from different styles, so hybrid orchestral, electronic, synth, industrial etc... but for this library/libraries I'm looking for I was thinking of making most likely some ambient/suspense/"general TV" tracks for starters. What might be the best libraries to submit to? List of high end music libraries. Option 2: Placing your catalogue in music libraries . “Non-exclusive” deals allow you the freedom to work with whomever you want, but companies offering these deals are typically larger than an exclusive library and your content may have a harder time finding the spotlight. They are very selective and pitch to specific opportunities. should you sign with a non-exclusive library? Hands-off. By being a non-exclusive music library, it's obviously easier to grow your music library quickly. All their royalty-free tracks are handpicked by music industry experts. Accountable. In time you will build up a catalog that should generate a nice income stream. Am currently on a few very specific exclusive libraries. You don't have to worry about a conflict with backend royalties and publishers fighting over the publishers share. Licensing music for use in television, movies, ads, radio, video games, digital apps, websites, ect, gives you that much needed income so you can continue to finance your additional music goals. Guides, tariffs and links to the best production music libraries around. Press question mark to learn the rest of the keyboard shortcuts. Can be libraries without royalties. 6. I think most of them have pretty specific styles. You!! Why? Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. The benchmark for libraries that I use is Crucial Music. We maintain a list of friendly and helpful re-title non-exclusive libraries to whom we refer new customers who may be better suited by the non-exclusive business model, just send us an email. Often there is no quality control regarding what gets added to those catalogs, and I’d encourage you, if you’re interested in working with some non-exclusives, before you sign up, take some time and listen to the music they represent. Libraries often promote exclusive music over non-exclusive music. Any recommendations? What might be the best libraries to submit to? You don’t have to look sharp, or have a shave, or buy a return trip to London. Find out what's the best option for your music career. September 30, 2020. by Music Connection. Want to keep your music placement options open? That’s it. There are no inconsistencies in licensing fees. We only take non-exclusive music where it fills a gap in our library or if the quality blows us away. Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. No. them away. The number that gets bandied around a lot is 1500 tracks spread out over a number of different libraries both exclusive and non-exclusive. Hi, I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. For many of us, our songs are our babies, and we don't want to just. Let’s say I have a song called Sunny Day. Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? Keyboard shortcuts, again generally speaking, non-exclusive licenses don ’ t generate the higher dollar that! To start writing and then think about who I should submit to the rights to your originally song... 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